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100 documentary films / / Barry Keith Grant & Jim Hillier
| 100 documentary films / / Barry Keith Grant & Jim Hillier |
| Autore | Grant Barry Keith <1947-> |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2009 |
| Descrizione fisica | 1 online resource (277 pages) : illustrations |
| Disciplina | 070.18 |
| Collana | Screen Guides |
| Soggetto topico |
Documentary films - History and criticism
Documentary films Film & Media Films, cinema |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN |
1-83871-060-4
1-83871-401-4 1-84457-551-9 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Heidi Fleiss: Hollywood Madam, Nick Broomfield, 1995 -- Hoop Dreams, Steve James, 1994 -- The Hour of the Furnaces/La hora de los hornos, Octavio Getino, Fernando Ezequiel Solanas, 1968 -- Housing Problems, Edgar Anstey, Arthur Elton, 1935 -- Las Hurdes/Land without Bread, Luis Buñuel, 1933 -- I for India, Sandhya Suri, 2005 -- In the Year of the Pig, Emile de Antonio, 1968 -- Jazz, Ken Burns, 2001 -- Kon-Tiki, Thor Heyerdahl, 1950 -- Koyaanisqatsi: Life Out of Balance, Godfrey Reggio, 1982 -- Lessons in Darkness/Lektionen in Finsternis, Werner Herzog, 1992 -- Let There Be Light, John Huston, 1946 -- The Life and Times of Rosie the Riveter, Connie Field, 1980 -- Lonely Boy, Wolf Koenig, Roman Kroitor, 1962 -- Lost Lost Lost, Jonas Mekas, 1976 -- Lumière Programme, Louis and Auguste Lumière, 1895 -- Les Maîtres fous, Jean Rouch, 1955 -- Manhatta, Charles Sheeler, Paul Strand, 1921 -- Man of Aran, Robert Flaherty, 1934 -- Man with a Movie Camera, Dziga Vertov, 1929 -- March of the Penguins/La Marche de l'empereur, Luc Jacquet, 2005 -- A Married Couple, Allan King, 1969 -- Minamata, Tsuchimoto Noriaki, 1971 -- My Winnipeg, Guy Maddin, 2007 -- Nanook of the North, Robert Flaherty, 1922 -- Native Land, Leo Hurwitz, Paul Strand, 1942 -- Necrology, Standish Lawder, 1971 -- New Earth/Nieuwe gronden, Joris Ivens, 1934 -- News from Home, Chantal Akerman, 1976 -- North Sea, Harry Watt, 1938 -- Nuit et brouillard/Night and Fog, Alain Resnais, 1955 -- Not a Love Story: A Film about Pornography, Bonnie Sherr Klein, 1981 -- One Man's War/La Guerre d'un seul homme, Edgardo Cozarinsky, 1982 -- Paris Is Burning, Jennie Livingston, 1990 -- People on Sunday/Menschen am Sonntag, Robert Siodmak, Edgar G. Ulmer, 1930 -- The Plow that Broke the Plains, Pare Lorentz, 1936 -- Portrait of Jason, Shirley Clarke, 1967 -- Primary, Robert Drew, 1960.
Primate, Frederick Wiseman, 1974 -- Les Racquetteurs/The Snowshoers, Michel Brault, Gilles Groulx, 1958 -- Roger and Me, Michael Moore, 1989 -- Salesman, Albert and David Maysles, Charlotte Zwerin, 1968 -- Le Sang des bêtes, Georges Franju, 1949 -- Sans soleil/Sunless, Chris Marker, 1983 -- 79 Primaveras/79 Springs, Santiago Alvarez, 1969 -- Shipyard, Paul Rotha, 1935 -- Shoah, Claude Lanzmann, 1985 -- El sol del membrillo/The Quince Tree Sun/The Dream of Light, Victor Erice, 1992 -- The Spanish Earth, Joris Ivens, 1937 -- Surname Viet Given Name Nam, Trinh T. Minh-ha, 1989 -- Talking Heads, Krzysztof Kies´lowski, 1980 -- The Thin Blue Line, Errol Morris, 1988 -- This Is Spinal Tap, Rob Reiner, 1984 -- Time Indefinite, Ross McElwee, 1993 -- Titicut Follies, Frederick Wiseman, 1967 -- Tongues Untied, Marlon Riggs, 1990 -- Triumph of the Will/Triumph des Willens, Leni Riefenstahl, 1935 -- Truth or Dare, Alek Keshishian, 1991 -- Turksib, Victor A. Turin, 1929 -- Very Nice, Very Nice, Arthur Lipsett, 1961 -- Waiting for Fidel, Michael Rubbo, 1974 -- The War Game, Peter Watkins, 1965 -- We Are the Lambeth Boys, Karel Reisz, 1958 -- When the Levees Broke, Spike Lee, 2006 -- Why We Fight 1: Prelude to War, Frank Capra, 1943 -- Woodstock, Michael Wadleigh, 1970 -- Zidane: A 21st Century Portrait, Douglas Gordon, Philippe Parreno, 2006 -- References -- Select Bibliography -- Index. |
| Altri titoli varianti |
One hundred documentary films
Hundred documentary films |
| Record Nr. | UNINA-9910794829303321 |
Grant Barry Keith <1947->
|
||
| London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
100 documentary films / / Barry Keith Grant & Jim Hillier
| 100 documentary films / / Barry Keith Grant & Jim Hillier |
| Autore | Grant Barry Keith <1947-> |
| Edizione | [First edition.] |
| Pubbl/distr/stampa | London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2009 |
| Descrizione fisica | 1 online resource (277 pages) : illustrations |
| Disciplina | 070.18 |
| Collana | Screen Guides |
| Soggetto topico |
Documentary films - History and criticism
Documentary films Film & Media Films, cinema |
| Soggetto genere / forma | Criticism, interpretation, etc. |
| ISBN |
1-83871-060-4
1-83871-401-4 1-84457-551-9 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
Heidi Fleiss: Hollywood Madam, Nick Broomfield, 1995 -- Hoop Dreams, Steve James, 1994 -- The Hour of the Furnaces/La hora de los hornos, Octavio Getino, Fernando Ezequiel Solanas, 1968 -- Housing Problems, Edgar Anstey, Arthur Elton, 1935 -- Las Hurdes/Land without Bread, Luis Buñuel, 1933 -- I for India, Sandhya Suri, 2005 -- In the Year of the Pig, Emile de Antonio, 1968 -- Jazz, Ken Burns, 2001 -- Kon-Tiki, Thor Heyerdahl, 1950 -- Koyaanisqatsi: Life Out of Balance, Godfrey Reggio, 1982 -- Lessons in Darkness/Lektionen in Finsternis, Werner Herzog, 1992 -- Let There Be Light, John Huston, 1946 -- The Life and Times of Rosie the Riveter, Connie Field, 1980 -- Lonely Boy, Wolf Koenig, Roman Kroitor, 1962 -- Lost Lost Lost, Jonas Mekas, 1976 -- Lumière Programme, Louis and Auguste Lumière, 1895 -- Les Maîtres fous, Jean Rouch, 1955 -- Manhatta, Charles Sheeler, Paul Strand, 1921 -- Man of Aran, Robert Flaherty, 1934 -- Man with a Movie Camera, Dziga Vertov, 1929 -- March of the Penguins/La Marche de l'empereur, Luc Jacquet, 2005 -- A Married Couple, Allan King, 1969 -- Minamata, Tsuchimoto Noriaki, 1971 -- My Winnipeg, Guy Maddin, 2007 -- Nanook of the North, Robert Flaherty, 1922 -- Native Land, Leo Hurwitz, Paul Strand, 1942 -- Necrology, Standish Lawder, 1971 -- New Earth/Nieuwe gronden, Joris Ivens, 1934 -- News from Home, Chantal Akerman, 1976 -- North Sea, Harry Watt, 1938 -- Nuit et brouillard/Night and Fog, Alain Resnais, 1955 -- Not a Love Story: A Film about Pornography, Bonnie Sherr Klein, 1981 -- One Man's War/La Guerre d'un seul homme, Edgardo Cozarinsky, 1982 -- Paris Is Burning, Jennie Livingston, 1990 -- People on Sunday/Menschen am Sonntag, Robert Siodmak, Edgar G. Ulmer, 1930 -- The Plow that Broke the Plains, Pare Lorentz, 1936 -- Portrait of Jason, Shirley Clarke, 1967 -- Primary, Robert Drew, 1960.
Primate, Frederick Wiseman, 1974 -- Les Racquetteurs/The Snowshoers, Michel Brault, Gilles Groulx, 1958 -- Roger and Me, Michael Moore, 1989 -- Salesman, Albert and David Maysles, Charlotte Zwerin, 1968 -- Le Sang des bêtes, Georges Franju, 1949 -- Sans soleil/Sunless, Chris Marker, 1983 -- 79 Primaveras/79 Springs, Santiago Alvarez, 1969 -- Shipyard, Paul Rotha, 1935 -- Shoah, Claude Lanzmann, 1985 -- El sol del membrillo/The Quince Tree Sun/The Dream of Light, Victor Erice, 1992 -- The Spanish Earth, Joris Ivens, 1937 -- Surname Viet Given Name Nam, Trinh T. Minh-ha, 1989 -- Talking Heads, Krzysztof Kies´lowski, 1980 -- The Thin Blue Line, Errol Morris, 1988 -- This Is Spinal Tap, Rob Reiner, 1984 -- Time Indefinite, Ross McElwee, 1993 -- Titicut Follies, Frederick Wiseman, 1967 -- Tongues Untied, Marlon Riggs, 1990 -- Triumph of the Will/Triumph des Willens, Leni Riefenstahl, 1935 -- Truth or Dare, Alek Keshishian, 1991 -- Turksib, Victor A. Turin, 1929 -- Very Nice, Very Nice, Arthur Lipsett, 1961 -- Waiting for Fidel, Michael Rubbo, 1974 -- The War Game, Peter Watkins, 1965 -- We Are the Lambeth Boys, Karel Reisz, 1958 -- When the Levees Broke, Spike Lee, 2006 -- Why We Fight 1: Prelude to War, Frank Capra, 1943 -- Woodstock, Michael Wadleigh, 1970 -- Zidane: A 21st Century Portrait, Douglas Gordon, Philippe Parreno, 2006 -- References -- Select Bibliography -- Index. |
| Altri titoli varianti |
One hundred documentary films
Hundred documentary films |
| Record Nr. | UNINA-9910812060203321 |
|
Grant Barry Keith <1947->
|
||
| London : , : British Film Institute : , : Bloomsbury Publishing (UK), , 2009 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The act of documenting : documentary film in the 21st century / / Brian Winston, Gail Vanstone and Wang Chi
| The act of documenting : documentary film in the 21st century / / Brian Winston, Gail Vanstone and Wang Chi |
| Autore | Winston Brian |
| Pubbl/distr/stampa | New York : , : Bloomsbury Academic, , 2017 |
| Descrizione fisica | 1 online resource (289 pages) : illustrations |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - History and criticism
Documentary films - Production and direction |
| ISBN |
1-5013-0920-X
1-5013-0919-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | AN AGENDA -- 1. "A Much Hailed Triumph" -- 2. "The Shakiest of Foundations" -- 3. The Act of Documenting -- PART ONE: DIGITAL POTENTIALS -- 1. "A Walk in the Woods" -- Image: -- AUTHENTICITY: Indexing -- Evidence -- TRUST: Manipulation -- Judgment -- SAVVY: Inferences -- Probability -- 2. "A breath of fresh air for documentary" -- Kit: -- CONTRADICTION: Digitization -- Standards -- GLOBALIZATIONi: Proliferation-- Resistance -- 3. "Life as narrativized" -- Story: -- INTERPASSIVITY: Navigation -- Feedback -- Intervention -- HOMO NARRANS: Texts -- Stories -- SCRIPTRIX NARRANS: Challenge --Paths -- PART TWO: ACTUAL EFFECTS.... -- .... on THE FILMED -- 4. "To thine own self be true" -- Performing: -- APPEARING: Distrust -- Presentational Acting -- Representational Being -- BEHAVING: Performativity -- Casting -- 5. "Giving Voice" -- Co-creating: -- CONTROL: Engagement -- Empowerment -- CHANGE: Facilitating -- Embedding -- .... on THE FILMER -- 6. "To Make Space For The Un-Thought" -- Subjectivities: -- GENDER: Narcissism -- Auto -- Biography -- EMANCIPATION: Exclusions -- "Facts" -- 7. "Nous somme dans le bain" -- "We are implicated" -- Care: -- HARM: Involvement -- Consequences -- RIGHTS: Protocols -- Control -- .... on THE SPECTATOR -- 8. "You have to make up your own mind" -- Perception: -- EXPECTATIONS: Truth -- Omission -- ASSUMPTONS: Wow! -- Ostranenie -- 9. "When the lights go up" -- Reception -- OUTCOMES: Impact -- Engagement -- Research -- CONDITIONS: Autonomy -- Hazards -- MINUTES: THE ACT OF DOCUMENTING -- Considerations |
| Record Nr. | UNINA-9910150305003321 |
|
Winston Brian
|
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| New York : , : Bloomsbury Academic, , 2017 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Appetites and anxieties : food, film, and the politics of representation / / Cynthia Baron, Diane Carson, Mark Bernard
| Appetites and anxieties : food, film, and the politics of representation / / Cynthia Baron, Diane Carson, Mark Bernard |
| Autore | Baron Cynthia |
| Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , [2014] |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 791.43/6564 |
| Altri autori (Persone) |
CarsonDiane <1954->
BernardMark |
| Collana | Contemporary approaches to film and media series |
| Soggetto topico |
Food in motion pictures
Motion pictures - Social aspects Documentary films - History and criticism |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-8143-3805-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the cultural and material politics of food -- Representations in film -- Foodways as an ideological approach -- Food and film industries: a filter for the food we see in films -- Foodways syntax: utopian films' use of food to create community -- Foodways structured to convey disorder and dysfunction -- When humans are the food product: an ideological look at cannibal films -- Food as threat and promise: genre and auteur analysis -- Foodways in documentary films: consumer society in a wider frame -- The politics surrounding documentaries' depiction of foodways -- Food as a window into personal and cultural politics. |
| Record Nr. | UNINA-9910464664003321 |
|
Baron Cynthia
|
||
| Detroit, Michigan : , : Wayne State University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Appetites and anxieties : food, film, and the politics of representation / / Cynthia Baron, Diane Carson, Mark Bernard
| Appetites and anxieties : food, film, and the politics of representation / / Cynthia Baron, Diane Carson, Mark Bernard |
| Autore | Baron Cynthia |
| Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , [2014] |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 791.43/6564 |
| Altri autori (Persone) |
CarsonDiane <1954->
BernardMark |
| Collana | Contemporary approaches to film and media series |
| Soggetto topico |
Food in motion pictures
Motion pictures - Social aspects Documentary films - History and criticism |
| ISBN | 0-8143-3805-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the cultural and material politics of food -- Representations in film -- Foodways as an ideological approach -- Food and film industries: a filter for the food we see in films -- Foodways syntax: utopian films' use of food to create community -- Foodways structured to convey disorder and dysfunction -- When humans are the food product: an ideological look at cannibal films -- Food as threat and promise: genre and auteur analysis -- Foodways in documentary films: consumer society in a wider frame -- The politics surrounding documentaries' depiction of foodways -- Food as a window into personal and cultural politics. |
| Record Nr. | UNINA-9910789030803321 |
|
Baron Cynthia
|
||
| Detroit, Michigan : , : Wayne State University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Appetites and anxieties : food, film, and the politics of representation / / Cynthia Baron, Diane Carson, Mark Bernard
| Appetites and anxieties : food, film, and the politics of representation / / Cynthia Baron, Diane Carson, Mark Bernard |
| Autore | Baron Cynthia |
| Pubbl/distr/stampa | Detroit, Michigan : , : Wayne State University Press, , [2014] |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina | 791.43/6564 |
| Altri autori (Persone) |
CarsonDiane <1954->
BernardMark |
| Collana | Contemporary approaches to film and media series |
| Soggetto topico |
Food in motion pictures
Motion pictures - Social aspects Documentary films - History and criticism |
| ISBN | 0-8143-3805-4 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | Introduction: the cultural and material politics of food -- Representations in film -- Foodways as an ideological approach -- Food and film industries: a filter for the food we see in films -- Foodways syntax: utopian films' use of food to create community -- Foodways structured to convey disorder and dysfunction -- When humans are the food product: an ideological look at cannibal films -- Food as threat and promise: genre and auteur analysis -- Foodways in documentary films: consumer society in a wider frame -- The politics surrounding documentaries' depiction of foodways -- Food as a window into personal and cultural politics. |
| Record Nr. | UNINA-9910812414103321 |
|
Baron Cynthia
|
||
| Detroit, Michigan : , : Wayne State University Press, , [2014] | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Avant-doc : intersections of documentary and avant-garde cinema : an oral panorama
| Avant-doc : intersections of documentary and avant-garde cinema : an oral panorama |
| Autore | MacDonald |
| Pubbl/distr/stampa | New York : , : Oxford University Press, , 2014 |
| Descrizione fisica | 1 online resource : illustrations (black and white) |
| Disciplina | 070.1/8 |
| Soggetto topico |
Documentary films - History and criticism
Experimental films - History and criticism Motion picture producers and directors Music, Dance, Drama & Film Film |
| ISBN | 0-19-938874-1 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNINA-9910154326303321 |
|
MacDonald
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| New York : , : Oxford University Press, , 2014 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cinema of me : the self and subjectivity in first person documentary / / edited by Alisa Lebow
| The cinema of me : the self and subjectivity in first person documentary / / edited by Alisa Lebow |
| Pubbl/distr/stampa | London ; ; New York : , : Wallflower Press, , 2012 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 070.18092 |
| Altri autori (Persone) | LebowAlisam |
| Collana | Nonfictions series |
| Soggetto topico |
Documentary films - Authorship
Documentary films - History and criticism Subjectivity in motion pictures |
| Soggetto genere / forma | Electronic books. |
| ISBN | 0-231-85016-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | First person singular. ; The role of history in the individual : working notes for a film / Michael Chanan -- ; The curious incident of the dog in the nighttime / Andrš Di Tella -- Impersonations of Glauber Rocha by Glauber Rocha / Jos ̌Gatti -- ; The self-portrait film : Michelangelo's last gaze / Laura Rascaroli -- Cycles of life : El cielo gira and Spanish autobiographical documentary / Efrň Cuevas -- From the interior : space, time and queer discursivity in Kamal Aljafari's The roof / Peter Limbrick -- First person plural. Jennifer Fox's transcultural talking cure : Flying : confessions of a free woman / Angelica Fenner -- Secrets and inner voices : the self and subjectivity in contemporary Indian documentary / Sabeena Gadihoke -- In the eye of the storm : the political stake of Israeli i-movies / Linda Dittmar -- Diasporic subjectivity. Looking for home in home movies : the home mode in Caribbean diaspora first person film and video practice / Elspeth kydd -- 'If I am (not) for myself' : Michelle Citron's diasporic first person(s) / Sophie Mayer -- ; The camera as peripatetic migration machine / Alisa Lebow -- Virtual subjectivity. Blogging identity.com / Peter Hughes -- ; The me and the we : a first person meditation on media translation in three acts / Alexandra Juhasz. |
| Record Nr. | UNINA-9910462674203321 |
| London ; ; New York : , : Wallflower Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cinema of me : the self and subjectivity in first person documentary / / edited by Alisa Lebow
| The cinema of me : the self and subjectivity in first person documentary / / edited by Alisa Lebow |
| Pubbl/distr/stampa | London ; ; New York : , : Wallflower Press, , 2012 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 070.18092 |
| Altri autori (Persone) | LebowAlisam |
| Collana | Nonfictions series |
| Soggetto topico |
Documentary films - Authorship
Documentary films - History and criticism Subjectivity in motion pictures |
| ISBN | 0-231-85016-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | First person singular. ; The role of history in the individual : working notes for a film / Michael Chanan -- ; The curious incident of the dog in the nighttime / Andrš Di Tella -- Impersonations of Glauber Rocha by Glauber Rocha / Jos ̌Gatti -- ; The self-portrait film : Michelangelo's last gaze / Laura Rascaroli -- Cycles of life : El cielo gira and Spanish autobiographical documentary / Efrň Cuevas -- From the interior : space, time and queer discursivity in Kamal Aljafari's The roof / Peter Limbrick -- First person plural. Jennifer Fox's transcultural talking cure : Flying : confessions of a free woman / Angelica Fenner -- Secrets and inner voices : the self and subjectivity in contemporary Indian documentary / Sabeena Gadihoke -- In the eye of the storm : the political stake of Israeli i-movies / Linda Dittmar -- Diasporic subjectivity. Looking for home in home movies : the home mode in Caribbean diaspora first person film and video practice / Elspeth kydd -- 'If I am (not) for myself' : Michelle Citron's diasporic first person(s) / Sophie Mayer -- ; The camera as peripatetic migration machine / Alisa Lebow -- Virtual subjectivity. Blogging identity.com / Peter Hughes -- ; The me and the we : a first person meditation on media translation in three acts / Alexandra Juhasz. |
| Record Nr. | UNINA-9910787787903321 |
| London ; ; New York : , : Wallflower Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
The cinema of me : the self and subjectivity in first person documentary / / edited by Alisa Lebow
| The cinema of me : the self and subjectivity in first person documentary / / edited by Alisa Lebow |
| Pubbl/distr/stampa | London ; ; New York : , : Wallflower Press, , 2012 |
| Descrizione fisica | 1 online resource (289 p.) |
| Disciplina | 070.18092 |
| Altri autori (Persone) | LebowAlisam |
| Collana | Nonfictions series |
| Soggetto topico |
Documentary films - Authorship
Documentary films - History and criticism Subjectivity in motion pictures |
| ISBN | 0-231-85016-6 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto | First person singular. ; The role of history in the individual : working notes for a film / Michael Chanan -- ; The curious incident of the dog in the nighttime / Andrš Di Tella -- Impersonations of Glauber Rocha by Glauber Rocha / Jos ̌Gatti -- ; The self-portrait film : Michelangelo's last gaze / Laura Rascaroli -- Cycles of life : El cielo gira and Spanish autobiographical documentary / Efrň Cuevas -- From the interior : space, time and queer discursivity in Kamal Aljafari's The roof / Peter Limbrick -- First person plural. Jennifer Fox's transcultural talking cure : Flying : confessions of a free woman / Angelica Fenner -- Secrets and inner voices : the self and subjectivity in contemporary Indian documentary / Sabeena Gadihoke -- In the eye of the storm : the political stake of Israeli i-movies / Linda Dittmar -- Diasporic subjectivity. Looking for home in home movies : the home mode in Caribbean diaspora first person film and video practice / Elspeth kydd -- 'If I am (not) for myself' : Michelle Citron's diasporic first person(s) / Sophie Mayer -- ; The camera as peripatetic migration machine / Alisa Lebow -- Virtual subjectivity. Blogging identity.com / Peter Hughes -- ; The me and the we : a first person meditation on media translation in three acts / Alexandra Juhasz. |
| Record Nr. | UNINA-9910821133203321 |
| London ; ; New York : , : Wallflower Press, , 2012 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
